Too Hot for New York

The slim book that was suddenly the most controversial work in the West in early March was not easy to find in the United States. Amazon said it wasn’t available till April. The Strand bookstore didn’t have it either.

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The book is the play My Name Is Rachel Corrie. Composed from the journal entries and e-mails of the 23-year-old from Washington State who was crushed to death in Gaza three years ago under a bulldozer operated by the Israeli army, the play had two successful runs in London last year and then became a cause celebre after a progressive New York theater company decided to postpone its American premiere indefinitely out of concern for the sensitivities of (unnamed) Jewish groups unsettled by Hamas’s victory in the Palestinian elections. 

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The House bill calling for a US investigation of her killing died in committee, with only seventy-eight votes and little media attention. But the naked admission by a left-leaning cultural outlet that it would subordinate its own artistic judgment to pro-Israel views has served as a smoking gun for those who have tried to press the discussion in this country of Palestinian human rights.

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